Lillian Gordis - Harpsichord

photos by Anatole Diethardt and Martin Chiang


PROGRAMME
1:10 : Prélude & Sarabande en ré mineur - Louis Couperin
10:57 : Interview
16:06 : Melancholy Pavan & Galliard, In nomine XII - John Bull
28:35 : Fantaisie chromatique et fugue BWV 903 - Johann Sebastian Bach


Ouverture - Partita in D Major BWV 828 - Johann Sebastian Bach | Lillian Gordis Four Chapters, One Harpsichord(ist) | The Harpsichord Short Films Lillian Gordis | Harpsichord Anonyme-Collesse 1748 (restoration Laurent Soumagnac) Chapter II: Le geste féminin, ou Grand train, petite ceinture Ouverture - Partita in D Major BWV 828 | Johann Sebastian Bach Ken Yoshida | Recording and artistic direction Anatole Diethardt | Videography and scenario Atelier du clavecin (Chaumont-en-Vexin) | Harpsichord recording and filming, July and November 2016 Trop de Tout Productions, 2017

Four Chapters, One Harpsichord(ist) | The Harpsichord Short Films Lillian Gordis | Harpsichord Anonyme-Collesse 1748 (restoration Laurent Soumagnac) Chapter I: Tous les détails sont immobiles ft. Cyril Muller @stilldetails Sonata K213 in d minor | Domenico Scarlatti Ken Yoshida | Recording and artistic direction Anatole Diethardt | Videography and scenario Atelier du clavecin (Chaumont-en-Vexin) | Harpsichord recording and filming, July and November 2016 Trop de Tout Productions, 2017

Trailer for a series of 4 harpsichord short films, featuring music by Scarlatti, Bach and Bull Lillian Gordis, harpsichord Anonyme-Collesse 1748 Ft. Cyril Muller of Fragments Paris Ken Yoshida, recording and artistic direction Anatole Diethardt, videography and artistic direction Harpsichord recording and filming at the Atelier du Clavecin (Laurent Soumagnac) Trop de Tout Productions, 2017.
OASIS OF HORROR interprète la Badinerie extraite de la 2ème Suite d'orchestre BWV 1067 de Johann Sebastian Bach. Enregistré en live au Temple de Passy le 9 octobre 2015.
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