Lillian Gordis Harpsichord

ABOUT

“extremely sexy” -Gramophone


“truly prodigious readings” -Scherzo


“Entre profession de foi et feuillets intimes, ce disque maîtrisé, épanoui, très personnel, confirme les promesses d’une claveciniste dont la discrétion n’a d’égale que le tempérament.” -Diapason


Born in 1992 into a family of scholars and mathematicians in Berkeley, California, LILLIAN GORDIS fell in love with the harpsichord at age 9 and never looked back. Five years later, Pierre Hantaï discovered her during a tour to the United States, and, captivated by her touch, he encouraged her to move to France for further studies. Lillian moved to Paris at 16, where she was mentored by Hantaï and Bertrand Cuiller.

Hailed as a “Martha Argerich of the harpsichord” (ResMusica), Lillian regularly performs as a soloist in festivals across Europe and the United States and plays frequently in a duo with Jérôme Hantaï.  

Her most recent album, a double-disc dedicated to Bach (Paraty Productions, 2022) was awarded a Diapason d’Or and has received praise in the press worldwide (Gramophone, Scherzo, American Record Guide, Fono Forum, Qobuz…). It was a “coup de cœur nouveauté” on France Musique (Relax !, Lionel Esparza) and was also featured on the program Le Bach du Dimanche (Corinne Schneider).
Her first solo recording, Zones (Paraty Productions, 2019) was entirely dedicated to the sonatas of Domenico Scarlatti. Lillian’s next solo album, a second volume of Bach’s keyboard works, will appear in early 2025.

Recent highlights include her début as a guest soloist with the Los Angeles Chamber Orchestra and a season-long US tour of solo recitals and duo concerts (New York, San Diego, Ann Arbor, Oberlin, Washington DC, Philadelphia, New York, Berkeley…). Upcoming performances include solo recitals in France at the Festival Bach en Combrailles and the Festival Académie-Bach Arques-la-Bataille, and a collaboration with Tasto Solo for a Spring 2025 Belgian tour.

Lillian has been named Eaton Chair of Baroque Music at CU Boulder starting in Fall 2024, where she will be teaching harpsichord and directing the Baroque ensemble. For the 2023-24 academic year, she served as Visiting Assistant Professor of Harpsichord at Oberlin Conservatory.

Lillian holds dual nationality with the United States and France and resides in Paris.

JEROME HANTAÏ &
LILLIAN GORDIS

“Both musicians sought to outdo one another in force and vivacity…”
-”Duo Gordis-Hantaï combine in stellar baroque recital for Capriccio series,” Washington Classical Review


Jérôme Hantaï (viola da gamba) and Lillian Gordis (harpsichord) have been performing as a duo since 2018, inspired as much by the contrast between the vocality of the viol and the cutting crispness of the harpsichord as by the mix of rich and varied timbres of their instruments. Together, they seek a common sound that lies between the singing inertia of the bow and the percussive attack of the keyboard. This ensemble is a chance for these artists to play with new energy and to explore the fresh synergy nourished by their respective identities as soloists. They have toured in France, Switzerland, Italy and the United States.

FEATURED PRESS